The first major Hollywood animation centred on Filipino culture speaks to the experience of migration that has become so deeply embedded in Philippine society.
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The Aardman studio’s latest Christmas offering appears to be a pointed reflection on the virtues of the handmade against the acceleration of AI.
The film, set in Australia, explores love, loss and life’s imperfections against some very recognisable backdrops.
The new film could be considered a huge achievement in Australian animation – even if it does lack adult appeal.
Sometimes I feel that after Chernobyl our land is cursed. Hearing about French children watching Mavka in a Parisian cinema, I felt hope.
These stories allow for beautiful explorations of the British countryside, and the female-focused approach that Ghibli have become known for.
The Wrong Trousers introduced viewers to the endeavours of Feathers McGraw, a silent criminal mastermind penguin.
In Frozen, Disney created princesses who were more than simply destined for marriage to a handsome prince, but the movie maker still needs to show princesses can truly rule as queens.
Top contributors
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Senior lecturer in animation and digital media production, Sheffield Hallam University
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PhD Candidate, Film Studies, Lancaster University
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PhD Candidate, School of Modern Languages and Social Anthropology, University of St Andrews
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Lecturer in Politics and Citizenship, Te Kunenga ki Pūrehuroa – Massey University
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Senior Lecturer in Illustration and Animation, Adelaide University ; University of Newcastle
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Lecturer in Animation, University of Newcastle
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Senior Lecturer in Liberal Arts and Visual Cultures Education, Department of Interdisciplinary Humanities, King's College London
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Senior Lecturer, University of Technology Sydney