The character of Tom Ripley was never meant to be pigeonholed. He is, in many respects, a walking contradiction – much like Highsmith herself.
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On the surface, All of Us Strangers is a dark and twisty love story. Underneath, there is the often-present storyline seen in queer cinema: that of trauma and tragedy.
Whenever an Australian government runs into trouble we hear calls for a clearer narrative. The latest contribution comes in a thoughtful article from Waleed Aly. Aly points to the similar undermining of…


