Dorothea MacKellar’s My Country, with its paen to a sunburnt landscape, excoriated Australians for their nostalgic love of English ‘grey-blue’ countryside and English weather. Mark Wassell/flickr

Anthems, ‘ranthems’, and otherwise loves: nationalism in Australian poetry

There’s a fine tradition of Australian poetry harnessing the corrective power of insult. In doing so, it prompts us to face hard questions about our history and identity.
That sinister rope at the end of the trope reveals Charles Simic’s dark sensibility. Shutterstock

Talking Ordinary: from Simic to Farrell

Where Robert Frost might write a few lines soundly cut from the solid old tree of language and delivered in his mellifluous White Mountain voice, The way a crow Shook down on me The dust of snow From a…
ecowaltz/flickr

On poetry and pain

There are several ways into the book Shaping the Fractured Self: poetry of chronic illness and pain, edited by Heather Taylor Johnson. And there are many uses it might serve in the multiple worlds of poetry…
The Green Bell illustrates a life of complete and careless love, and utter grief: author Paula Keogh and poet Michael Dransfield in the early 1970s. Affirm Press

Book review: Love, loss and madness in The Green Bell

The lovers at the centre of The Green Bell - its author, Paula Keogh, and that passing meteor of Australian poetry, Michael Dransfield - met in the psychiatric unit of Canberra Hospital.
The Bartlett Head (Aphrodite) at The MIT Museum 1978, white light transmission hologram Kenneth Lu/flickr

A hologram of light and love

I have been editing the unfinished book of a poet friend who died after a too-brief fight with cancer. She kept writing until she could no longer think clearly about what she wanted in her poems. I was…
Poets are drawn to the time between seasons and to the time when both death and life, endings and beginnings, merge into each other and confuse us. Annie Spratt/Unsplash

Friday essay: Christmas poetry – a reflection

The beauty and delicacy of the Christmas story become in our consumerist hands a recipe for crassness and sentimentality. No surprise then, that poets are drawn to try to rescue it.
Judith Wright: she opened our eyes to our dark history, to modernist poetry and to the beauty of our landscape. courtesy of Meredith McKinney

Friday essay: Judith Wright in a new light

Judith Wright was possibly our greatest poet and a passionate social activist. But a new biography suggests that in writing her family memoirs, Wright avoided evidence that her settler forebears likely participated in the murder of Aborigines.

On the life of an adjective

Adjectives have always been out there, mobs of them pressing on the outside walls, their faces against the windows, their shoulders at the doors. They just want to be inside close to all the nouns that…
Otto Magus

On imagery in poetry

One thing bursts out of another. Christine Brooke-Rose, in A Grammar of Metaphor (1958), called it the genitive link. When Ballarat regional poet Nathan Curnow begins his poem The Lighthouse with, nuns…

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